Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game is in British and Irish theaters from 17 November.
